paranoia is in bloom paranoia is in bloom
rachel louise
21, living in bournemouth, studying a fine art degree.
i like embroidery, Sam, charity shops, art & my bed.

http://www.flickr.com/photos/rachellouisesheldrake/

(Source: sweaterbones, via raise-ravens)

posted 6 hours ago
sweetestlungs:

raditudeproblem:

Remember me.

xx.

Cute

sweetestlungs:

raditudeproblem:

Remember me.

xx.

Cute

(Source: litquake)

posted 6 hours ago

bobbysockss:

nevver:

Natalie Krim

 loving this so hard

ADORE

(via hannahscupofcare)

posted 8 hours ago

(via annapoppins)

posted 8 hours ago
nycartscene:

May 23–26:“Sext Me if You Can” Karen FinleyNew Museum (Lobby), 235 Bowery, NYCan interactive performance installation taking place in the New Museum Lobby in full view of Museum visitors. For this performance, Karen Finley creates a limited edition of paintings inspired by “sexts” that she receives from participating patrons. Participation takes the form of a commission and requires a ten-minute private and anonymous sitting on-site during announced performance times (bring your own cell phone!). Through this process, the erotic exchange with the artist—bound by rules of commerce—transforms into a lasting and collectible work of art. Presented as part of NEA 4 in Residence.

This is wonderful

nycartscene:

May 23–26:

Sext Me if You Can
 Karen Finley

New Museum (Lobby), 235 Bowery, NYC

an interactive performance installation taking place in the New Museum Lobby in full view of Museum visitors. For this performance, Karen Finley creates a limited edition of paintings inspired by “sexts” that she receives from participating patrons. Participation takes the form of a commission and requires a ten-minute private and anonymous sitting on-site during announced performance times (bring your own cell phone!). Through this process, the erotic exchange with the artist—bound by rules of commerce—transforms into a lasting and collectible work of art. Presented as part of NEA 4 in Residence.

This is wonderful

posted 12 hours ago
pikeys:

Frensi (Frenzy), 2012 by Jesus Leguizamo

pikeys:

Frensi (Frenzy), 2012 by Jesus Leguizamo

(via lavanya-yojanam)

posted 2 days ago
illnewmanati:

bad girls club

illnewmanati:

bad girls club

(via southerncharmm)

posted 2 days ago
purrfectstitchers:

Vintage embroidery design

purrfectstitchers:

Vintage embroidery design

posted 2 days ago

(Source: milklake, via aplacetowritexo)

posted 2 days ago
posted 3 days ago

(via ceedling)

posted 3 days ago
horinarumi:

世界が消えて2日目 / The world disappears and it is the 2nd day.

horinarumi:

世界が消えて2日目 / The world disappears and it is the 2nd day.

(via splittingoceans)

posted 4 days ago

My work. This is what I’ve been working on recently - looking at how embroidery used to be seen as (and sometimes still is!) a delicate and really feminine way of working, and what would happen if the context is juxtaposed with a really graphic content. 

My work. This is what I’ve been working on recently - looking at how embroidery used to be seen as (and sometimes still is!) a delicate and really feminine way of working, and what would happen if the context is juxtaposed with a really graphic content. 

posted 5 days ago

My work. This is what I’ve been working on recently - looking at how embroidery used to be seen as (and sometimes still is!) a delicate and really feminine way of working, and what would happen if the context is juxtaposed with a really graphic content. 

My work. This is what I’ve been working on recently - looking at how embroidery used to be seen as (and sometimes still is!) a delicate and really feminine way of working, and what would happen if the context is juxtaposed with a really graphic content. 

posted 5 days ago
My work. This is what I’ve been working on recently - looking at how embroidery used to be seen as (and sometimes still is!) a delicate and really feminine way of working, and what would happen if the context is juxtaposed with a really graphic content. 

My work. This is what I’ve been working on recently - looking at how embroidery used to be seen as (and sometimes still is!) a delicate and really feminine way of working, and what would happen if the context is juxtaposed with a really graphic content. 

posted 5 days ago


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